Tuesday March 25, 2014
With a screenplay written by Rod Serling, creator of The Twilight Zone, director John Frankenheimer’s 1964 political thriller Seven Days in May is a clear warning to beware of martial law packaged as a well meaning and overriding concern for the nation’s security. Yet, incredibly enough, 50 years later, we find ourselves hostages to a government run more by military doctrine and corporate greed than by the rule of law established in the Constitution.
Indeed, proving once again that fact and fiction are not dissimilar, today’s current events—ranging from the government’s steady militarization of law enforcement agencies, and its urban training exercises wherein military troops rappel from Black Hawk helicopters in cities across the country, from Miami and Chicago to Minneapolis, to domestic military training drills timed and formulated to coincide with or portend actual crises, and the Obama administration’s sudden and growing hostilities with Russia—could well have been lifted straight out of Seven Days in May, which takes viewers into eerily familiar terrain.
The premise is straightforward enough: With the Cold War at its height, Jordan Lyman (played by Fredric March), an unpopular U.S. President, signs a momentous nuclear disarmament treaty with the Soviet Union. Believing that the treaty constitutes an unacceptable threat to the security of the United States and certain that he knows what is best for the nation, General James Mattoon Scott (Burt Lancaster), the head of the Joint Chiefs of Staff and presidential hopeful, plans a military takeover of the national government.