Saturday October 25, 2014
“The irony is that the Nazi holocaust has now become the main ideological weapon for launching wars of aggression,” Norman Finkelstein tells Yoav Shamir in “Defamation,” the Israeli filmmaker’s award-winning 2009 documentary on how perceptions of anti-Semitism affect Israeli and U.S. politics. “Every time you want to launch a war of aggression, drag in the Nazi holocaust.” If you’re looking for evidence in support of Finkelstein’s thesis today, you need look no further than the U.S. Holocaust Memorial Museum’s exhibit of images of emaciated and mutilated bodies from contemporary Syria.
The small exhibit, entitled “Genocide: The Threat Continues,” features a dozen images said to be from an archive of 55,000 pictures allegedly smuggled out of the country by “Caesar,” a mysterious source who claims to have defected from his job as a Syrian military photographer after having been ordered to take photos of more than 10,000 corpses. Emphasizing the threat of an impending genocide, the reportedly conscience-stricken defector warns that a similar fate awaits the 150,000 people he says remain incarcerated by President Bashar Assad’s government.
“They’re powerful images, and viewers are immediately reminded of the Holocaust,” Cameron Hudson, the director of the museum’s Center for the Prevention of Genocide, was cited as saying in an Oct. 15 Associated Press report. Hudson, whose intriguing career in genocide prevention includes a stint as intelligence analyst in the CIA’s Africa Directorate, added, “They show a side of the Syrian regime that hasn’t really been really seen. You might have heard about it, read about it, but when you’re confronted with these images, they’re impossible to ignore.”